Bad Machine

Bloodaxe
George Szirtes
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The body is the 'bad machine' of George Szirtes' latest book of poems. The sudden death of his elderly father and of his younger friend, the poet Michael Murphy, remind him how machines - sources of energy and delight in their prime - go so easily wrong; and that change in the body is a signal for moving on. But language too is a body. Here, politics, assimilation, desire, creatureliness and the pleasure and loss of the body, mingle in various attenuated forms such as lexicon, canzone, acrostics, mirror poems, postcards, and a series of 'minimenta' after Anselm Kiefer whose love of history as rubble and monument haunts this collection. George Szirtes is one of our most inventive - and constantly reinventing - poets, and Bad Machine shows him developing new themes and new ways of writing in poems which stretch the possibilities of form and question language and its mastery. Poetry Book Society Choice, shortlisted for the T.S. Eliot Prize.

Contributor Bio

George Szirtes was born in Budapest in 1948, and came to England with his family after the 1956 Hungarian Uprising. He was educated in England, training as a painter, and has always written in English. In recent years he has worked as a translator of Hungarian literature, producing editions of such writers as Ottó Orbán, Zsuzsa Rakovszky and Ágnes Nemes Nagy. He co-edited Bloodaxe’s Hungarian anthology The Colonnade of Teeth. His Bloodaxe poetry books include: The Budapest File (2000); An English Apocalypse (2001); Reel (2004), winner of the T.S. Eliot Prize; New & Collected Poems (2008) and The Burning of the Books and other poems (2009), shortlisted for the T.S. Eliot Prize 2009. Bad Machine (2013) was a Poetry Book Society Choice and shortlisted for the T.S. Eliot Prize 2013. Mapping the Delta (2016) was the Poetry Book Society Choice for Winter 2016. Fresh Out of the Sky followed from Bloodaxe in 2021. Bloodaxe has also published his Newcastle/Bloodaxe Poetry Lectures, Fortinbras at the Fishhouses: Responsibility, the Iron Curtain and the sense of history as knowledge (2010), and John Sears’ critical study, Reading George Szirtes (2008). His memoir of his mother, The Photographer at Sixteen, was published by MacLehose Press in 2019. Szirtes lives in Norfolk and is a freelance writer, having retired from teaching at the University of East Anglia.