How Mamas Love Their Babies
Groundbreaking in its positive portrayal of a sex-working mother, How Mamas Care opens up a conversation to question the assumption that certain types of work make parents "unfit" and vulnerable to the loss of their children to the state. It furthers the conversation begun by earlier feminist children's books about working mothers and non-traditional family arrangements. Essential to progressive parenting collections, distinctive art and an accessible story demonstrates the many practical, material forms of maternal love.
. She is active in several sex workers' rights organizations such as The Red Umbrella Project and SWOP.
; she speaks often on the impact of her experience with sex work on her art and advocacy.
Juniper Fitzgerald is a mother, former sex worker, and PhD based in Omaha, NE. Her academic work focuses on sex work, sex workers’ rights, and alternative methodologies informed by feminist theories and the queering of intellectual spaces. For more than a decade, Juniper worked as a sex worker in various contexts and she continues to work as sex workers’ rights advocate. She has contributed to several sex workers’ rights cultural productions, including: The Red Umbrella Diaries, a spoken word event for sex workers created by Audacia Ray; The Red Umbrella Babies, a collection of writings by parents in the sex industry (forthcoming); SWOP, the Sex Worker Outreach Project; and CHANGE, the Center for Health and Gender Equity, a non-profit that supported Juniper in her petition for congress to eradicate the Anti-Prostitution Loyalty Oath.
Elise Peterson is a writer, visual artist, former music editor for Solange Knowles’s music-and-retail site Saint Heron, and a longtime arts educator living and working in New York. Her writing has appeared in Adult, Paper Magazine, Elle, Lenny Letter, and Nerve among others. She has been profiled by The Cut, Nylon, The Fader, and others. She is passionate about storytelling and investigating the nuance of identity and sexuality as it relates to marginalized communities. Comparably, her multi-disciplinary visual work focuses on reinterpreting the past in order to explore evolving notions on the intersection of technology, blackness and cross-generational narratives.
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