It Takes One to Know One

Michael Lally, winner of an American Book Award for his Black Sparrow debut, It's Not Nostalgia, evinces the same stunning honesty and self-analytical clarity in this powerful new collection of autobiographical poetry and prose. Retracing his wandering life-path from a rough Irish-Catholic boyhood in a working-class suburb of Newark, N.J., through turbulent years of radical political engagement in Washington, D.C., struggling-poet bohemianism in New York and elusive brushes with movie-star fame in Hollywood, Lally finally circles back to his home turf of South Orange, an older and wiser man.
If in the chapter, “Lally's Alley,” the author’s large family “owned” the eponymous block on which they lived, so too does Lally own this work. The book's melange of vignettes, poems, tracts, and reminiscences is daring to say the least; still, sprawling like the Lally clan, these variegated ruminations do cohere.
Lally is a fierce writer and intellect. His Irish-American heritage is a recurring theme, but it provides a jumping-off point for exploring the American Way and the different American Zeitgeists the author has witnessed, rather than acting as a limiting agent. Though his “Newark Poem” explains that the speaker has waited all his life in Jersey for the great cities of the world to come to him, It Takes One to Know One rises above New Jersey and indeed even America as Lally plumbs the soul of his people, his country and himself, creating a world much like the Paradise found in “Heaven & Hell:”

1. HELL

Hell is
no escape.
And no acceptance.

2. HEAVEN

Ah, heaven.
Heaven is
more complicated.