Medusa's Daughters
Magic and Monstrosity from Women Writers of the Fin-de-Siècle
“The witchy women are Medusa’s daughters indeed—their gaze kills. But rather than sending heroes to slay them, the writers of this collection celebrate the deadliness of these femmes fatales.”
After a period of decline, Gothic literature underwent a revival at the end of the 1800s. As the century turned, women writers such as Vernon Lee, Mary Coleridge, and Rosamund Mariott Watson left an indelible mark on fantasy and horror literature. Like Medusa herself, their poetry and short stories embody the very essence of magic and monstrosity.
Curated and annotated by award-winning fantasy author and Victorianist Theodora Goss, this collection of rare and strange gems serves as a tantalizing sampler of work by fin-de-siècle women writers, whose legacy still echoes in the speculative fiction we know and love today.
Theodora Goss is the World Fantasy and Locus Award-winning author of the short story and poetry collections In the Forest of Forgetting (2006), Songs for Ophelia (2014), and Snow White Learns Witchcraft (2019), as well as novella The Thorn and the Blossom (2012), debut novel The Strange Case of the Alchemist’s Daughter (2017), and sequels European Travel for the Monstrous Gentlewoman (2018) and The Sinister Mystery of the Mesmerizing Girl (2019). She has been a finalist for the Nebula, Crawford, Seiun, and Mythopoeic Awards, as well as on the Tiptree Award Honor List. Her work has been translated into thirteen languages. She teaches literature and writing at Boston University and in the Stonecoast MFA Program. Visit her at theodoragoss.com.
