The Hatch
Poems and Conversations
This collection extends poet Colin Browne's formal engagement with the margins of new documentary form. Myth, history, and the present are contemporaneous; and a rhythmic and political urgency requires the lightning-quick exchange of forms. In these poems nothing is ever one thing, and nothing is itself for very long.
Colin Browne has published five volumes of poetry. His most recent publications are Entering Time: The Fungus Man Platters of Charles Edenshaw (Talonbooks, 2016) and The Hatch: Poems and Conversations (Talonbooks, 2015). His books have been nominated for a Governor General’s Award and the Dorothy Livesay Award / B.C. Poetry Prize. He is a celebrated filmmaker; his experimental documentary White Lake was nominated for a Genie Award for Best Feature Documentary. His recent exhibition at the Vancouver Art Gallery, I Had an Interesting French Artist to See Me This Summer: Emily Carr and Wolfgang Paalen in British Columbia (2016), explored the brief encounter between these two Modernist artists in Victoria, B.C., in August 1939, and presented the first extensive exhibition of Paalen’s work in Canada. His collaboration with composer Alfredo Santa Ana, Music for a Night in May, was presented at the Vancouver East Cultural Centre in May 2018. Recent essays exploring the links between Surrealism and the art of the Northwest Coast have appeared in exhibition catalogues in the U.S. and Europe. He is currently working on new curatorial projects and preparing a collection of essays for publication. Until recently, he taught in the School for the Contemporary Arts at Simon Fraser University in Vancouver, where he is Professor Emeritus.
