Black Bell
Sweeping from the eighteenth century to futurist fabulations, Black Bell harmonizes poetry with performance art practices in an investigation of fugitivity.
Inspired by the nineteenth century image of an enslaved woman wearing iron horns and bells, Alison C. Rollins’s Black Bell remixed with Wu-Tang Clan’s 36 Chambersbetween the eighteenth century and futuristic fabulations, vibrating with fugitive frequencies, sounds of survival, and nerve-wracking notes tuned toward love and liberation. Black BellIntegrating performance art practices, metalwork, and sonic, Black Bellfurthering the possibilities of both the page and the canvas of the poet’s body.
Alison C. Rollins (she/her) is the author of Black Belland Library of Small Catastrophes, a 2020 Hurston/Wright Foundation Legacy Award nominee. Born and raised in St. Louis city, she holds degrees from Brown University, the University of Illinois Urbana-Champaign, and Howard University. A recipient of fellowships with Cave Canem, Callaloo, the National Endowment for the Arts, and The Poetry Foundation, Rollins was awarded support from the Radcliffe Institute for Advanced Study at Harvard University, the Bread Loaf Writers’ Conference, and Brown University’s Artist Grant. Her work has been published in American Poetry Review, Iowa Review, The New York Times Magazine, and elsewhere. She has held faculty and librarian appointments at institutions including the School of the Art Institute of Chicago, Colorado College, and Pacific Northwest College of Art.
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