Good Monster
With an equal dose of fatalism and dark wit, Antigua captures the body’s capacity to cage and cradle sadness.
Diannely Antigua’s Good Monsteranxiety, depression, and boundless need become monstrous shadows. Here, poems dance on bars, speak in tongues, and cry in psych wards. When “God [becomes] a house [she] can’t leave,” language becomes the only currency left. We see the messiness of survival unfold through sestinas, a series of Sad Girl sonnets, and diary entries—an invented collage form using Antigua’s personal journals. At the crux of despair, Antigua locates a resilient desire to find a love that will remain, to feel pleasure in an inhospitable body and, above all, to keep on living.
Diannely Antigua and has been nominated for the Pushcart Prize. She currently serves as the poet laureate of Portsmouth, NH, and is the youngest and first person of color to hold the title. As host of the Bread & Poetry podcast, she aims to make poetry more accessible to the community, interviewing poets and non-poets alike about what poetry means to them.
