Walking on Cowrie Shells
A virtuosic debut collection that roves across genres and styles, by a finalist for the Caine Prize.
In her powerful, genre-bending debut story collection, Nana Nkweti’s virtuosity is on full display as she mixes deft realism with clever inversions of genre. In the Caine Prize finalist story It Takes a Village, Some Say, Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In The Devil Is a Liar, a pregnant pastor’s wife struggles with the collision of western Christianity and her mother’s traditional Cameroonian belief system as she worries about her unborn child.
In other stories, Nkweti vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa, and in a mermaid tale about a Mami Wata who forgoes her power by remaining faithful to a fisherman she loves. In between these two ends of the spectrum there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organised by the changing hairstyles of the main character.
Pulling from mystery, horror, realism, myth, and graphic novels, Nkweti showcases the complexity and vibrance of characters whose lives span Cameroonian and American cultures. A dazzling, inventive debut, Walking on Cowrie Shells announces the arrival of a superlative new voice.
'Full of stories that weave together love and friendship, horror and comedy, all with great deftness...a wonderful debut.' — Yaa Gyasi, author of Homecoming
'These are stories to get lost in again and again.' — New York Times
Nana Nkweti is a Cameroonian- American writer, Caine Prize finalist, and graduate of the Iowa Writers’ Workshop. Her award-winning work has garnered fellowships from MacDowell, Vermont Studio Center, Ucross, Byrdcliffe, Kimbilio, Hub City Writers, the Stadler Center for Poetry, the Wurlitzer Foundation, Virginia Center for the Creative Arts, and Clarion West Writers Workshop.
Nana’s writing has been published in journals and magazines such as Brittle Paper, New Orleans Review, and The Baffler, amongst others.
