Waterfall Girls
Legend has it that the first waterfall was created when an angry sea god threw his trident into a cliff with such force that the cliff split open, spewing water like a volcanic eruption.
Through the eyes of Nereid, daughter of this angry sea god, we witness the evolution of this primal waterfall into a powerful symbol of beauty, danger, and sacrifice. Through Nereid, we witness the stories of women and girls who commit suicide by waterfall, beginning with Nereid herself, and the waterfall otherworld into which they awaken. Unfolding in spiral rather than linear fashion, this bible of shifting realities and portals between life and death shines light and dark into a world never before imagined. An afterlife which is neither heaven or hell, it is as uncertain as it is beautiful. Intertwined with the tales of Nereid and others in her world is the commonality of the Waterfall, whose elemental/diselemental voice adds its own layers to Nereid's bible. When the Waterfall speaks, we taste the purity of the first waterfall, we catch the scent of primal element, we are enchanted by the face of magnificent beauty, and we feel the very heartbeat of water as we drown in the roar of the falls. From Nereid's lifetime of water, through the hidden pools and passages of her watery world, Waterfall Girls is but a small sampling of legends inspired by waterfalls, woven into the heartbreak of suicide.
Kimberly White’s poetry has appeared in The Massachusetts Review, Cream City Review, Skidrow Penthouse, and other journals and anthologies. She is the author of four chapbooks: Penelope, A Reachable Tibet, The Daily Diaries of Death, and Letters to a Dead Man; as well as two other novels: Bandy’s Restola, and Hotel Tarantula. She also dabbles in collage art and photography, and spends most of her time in Northern California with her pens and papers and massive collection of Tarot decks.
